Posted by banson on July 27th, 2009 |
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One of the big stories coming out of Comic-Con International this past week is that Marvel Comics is rescuing the long lost hero Marvelman from limbo.
And every comic geek just hit the floor.
For those of you not in the know, Marvelman is the creation of Mick Anglo, who first appeared in the U.K. in 1954, and had been inspired by Fawcett’s (before DC obtained him) Captain Marvel. Kid reporter Micky Moran received superpowers from an astrophysicist using atomic energy. Whenever Micky said his trigger word, Kimota, he became the super powerful Marvelman, and went on to have forgettable adventures.
The character went through a transformation in the 80s when Alan Moore began writing a dark version of the hero for the British magazine Warrior. Moore’s writing, along with artwork by Garry Leach, and Alan Davis, made Marvelman a complex and interesting character. However, the character met resistance from Marvel Comics who fought against their name being used in the series’ title. Legal troubles ended Warrior‘s run with issue #21. After that Marvelman’s name was changed to Miracleman, and the character eventually landing with Eclipse Comics.
Eclipse began publishing a Miracleman comic in 1985, teaming Moore up with artists Chuck Austen, and then Rick Veitch, and later John Totleben. Moore would write the book for 16 issues, and with issue #17 the book was taken over by Neil Gaiman with artist Mark Buckingham. Gaiman wrote Miracleman until issue #25. However, the series ended with issue #24, due to Eclipse folding. And this is where the trouble starts.
The rights to Miracleman became a tangled web of parties claiming ownership of the character. When Warrior began publishing the character’s adventures, it wa asumed that the rights to the character was split between Warrior editor Dez Skinn, Alan Moore, Gary Leach, and publisher Quality Communications. When Leach left the book, and Alan Davis took over, Davis was given a percentage of ownership in the character. Eclipse Comics bought the rights from Skinn when they began publishing the new Miracleman comic. Meanwhile, Davis wanted to distance himself from the situation, so he gave his rights to Leach. When Moore ended his run on the Miracleman comic he handed over his percentage of the character to Neil Gaiman, who in turn shared part of his ownership with Mark Buckingham.
A couple of years after the collapse of Eclipse, Todd McFarlane purchased the rights to Eclipse’s creative assets. McFarlane believed that he now held a stake in Miracleman, however, it would be discovered later that Miracleman was not included in sale of Eclipse’s assets. Although MacFarlane did own two trademarks for Miracleman logos. These rights issues were brought to light during a legal battle between Gaiman and MacFarlane over the characters Angela, Cogliostro, and Medieval Spawn, all of which Gaiman created for books that he wrote for MacFarlane.
During its run Miracleman became one of the most highly regarded books of its time. That fact along with having had Alan Moore and Neil Gaiman, two of the most acclaimed writers in comic book history, work on the book, along with some great artists, made Miracleman a much desired book. However, because of the rights lissues, the series couldn’t be reprinted for nearly 20 years. This helped fuel the fan ferver for the comic book even more as original copies have become scarce, and if you do find any copies they sell for a preamium price.
Now, Marvel Comics has announced that they have secured the rights to Marvelman (they’re going back to the characters original name) with the rights to reprint past stories, as well as being able to print new stories with the character. Gaiman’s planned story for Marvelman/Miracleman went unfinished. And fans have been clamoring to read these stories for a long time. If there aren’t any other hitches and Mavel can go forward like they want to, they are going to make a lot of money of this comic.